"She is short and lively, and she sways like a flame"
Wells Journal (United Kingdom)
The most famous Polish female conductor was born to a family of musical traditions. In 1971, she graduated with distinction from State Higher School of Music in Poznań, where she studied conducting with Professor
Witold Krzemiński, and began work as assistant conductor at State Philharmonic Orchestra in Poznań. Later the same year, she started work as conductor at the Poznań Opera where, among other pieces, she prepared the Polish premiere of Benjamin Britten’s Midsummer Night’s Dream, Giuseppe Verdi’s Rigoletto, and Sergey Prokofiev’s ballet Romeo and Juliet.
In 1968, while still a student, Agnieszka Duczmal founded a chamber orchestra, which in 1977 became Polish Radio and Television Chamber Orchestra, and later, Amadeus Chamber Orchestra of Polish Radio. From the beginning of the Orchestra’s operation, Agnieszka Duczmal has been its managing and artistic director.
Prize-winner at 1st Polish Conducting Competition in Katowice in 1970, in 1975 Agnieszka Duczmal was given honourable mention at 4th Herbert von Karajan International Conducting Competition in West Berlin. With her Orchestra, she won silver Herbert von Karajan Medal at International Young Orchestra Meeting in West Berlin a year later. In 1982, she was awarded the title of “La Donna del Mondo” (Woman of the World) bestowed for outstanding cultural, artistic and social achievements by Saint Vincent International Culture Centre in Rome in association with UNESCO and the President of Italy.
Leading symphony orchestras in Poland and abroad, Agnieszka Duczmal is the first woman conductor to have performed at Milan’s La Scala.
To date, she has released over fifty records with Polish Radio Chamber Orchestra ‘Amadeus’, has recorded countless pieces for the Polish Radio, over one hundred concerts and musical programmes, incl. the series In Stereo and in Colour and Agnieszka Duczmal’s Guests for Polish Television, five hours of music for Télévision Française 1, and one-hour programme of Polish music for Japanese television NHK. She has also made several recordings for German and Belgian radio stations, the BBC in London, the CBC in Montreal, as well as for radio and TV stations in Mexico and Japan.
A number of outstanding composers have dedicated their compositions to her. Agnieszka Duczmal‘s artistic achievements include numerous premiere performances as St Matthew Passion by Krzysztof Knittel or the first recording of J.S. Bach’s Goldberg Variations in Josef Koffler’s brilliant transcription for chamber orchestra. For her own ensemble, she has
transcribed many musical masterpieces, incl. Modest Mussorgsky’s Pictures at an Exhibition, as well as chamber pieces by J. Brahms, A. Bruckner, C. Debussy, A. Dvořak, E. Elgar, S. Moniuszko, and F. Schubert. The conductor offers audiences interesting concert projects combining music with ballet or painting. Furthermore, for several years, the conductor has promoted young talented Polish musicians in series of concerts.
Agnieszka Duczmal travels extensively with her Orchestra to perform with world class soloists in prestigious concert halls in Europe, the Americas, Africa and Asia.
Agnieszka Duczmal has sat on the jury of such national and international music competitions, as Eurovision Young Musicians, International Joseph Joachim Violin Competition in Hanover, or Tadeusz Ochlewski Composer Competition in Warsaw.
In recognition of her artistic work and activity Agnieszka Duczmal has been awarded numerous prizes and distinctions, such as recently: Award of the Society of Authors ZAIKS for the Promotion of the Polish Contemporary Music (2016), Award on the occasion of 100 years of ZAIKS (2018) or the prestigious Golden Fryderyk Award of the Polish Phonographic Academy for her achievements in the classical music (2018).
In 2021, Maestra received the prestigious Polish Radio award - Diamond Baton for outstanding conducting achievements and making Polish music famous abroad.
„Agnieszka Duczmal is first-rate in the creation of orchestral colours."
The Village Times (USA)